Free Ebook Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II

Free Ebook Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II

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Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II

Free Ebook Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II

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Audible Audiobook

Listening Length: 6 hours and 23 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: October 2, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07HM62C7F

Amazon Best Sellers Rank:

Daughter said boring but interesting

My 10 year old daughter loved this book. She learned some great information about the subject.

During WWII, as more and more men were going overseas to serve in the armed forces fighting, the US Army and Navy started secretly recruiting women to work as code breakers. This book outlines how the programs started, how the women were covertly recruited, what kind of work they did, what living and working conditions were like for these women, and how some of their lives were changed forever by their wartime jobs.A fascinating look at women code breakers in the US during WWII. Mundy highlights some real women and the kind of work they did as she tells broader stories of the work women were doing for the Army and Navy at home related to code breaking. She also explains the kind of work involved in code breaking and major achievements of US women in this field during the war. Due to the secretive nature of the work and the fact that the women were sworn to secrecy for life, many of these stories are just now leaking out as WWII becomes a very distant memory and the US has decided to let certain secrets out. This is the young readers edition and at times you could tell that the writing had been pared down to just the basics for kid readers, it seemed like some details had been left out and it was a little dryer than expected. (I'm curious enough I may read the adult version at some point.) For the most part, though, this was fascinating stuff and highlights women figuring out that their mathematical and analytical skills were valuable at a time when that was unheard of. It also talks a great deal about what all is involved in code breaking, so it should appeal to those who like codes and puzzles. This is a great companion read to Hidden Figures for those who like reading about women in math fields. Also recommended to those who like unique aspects of WWII history.Notes on content: No language issues that I remember. No sexual content. War casualties and deaths are mentioned but not described in any graphic details.

Very good book how women played a very important part in winning World War II

Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II PDF
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Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II PDF

Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II PDF

Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II PDF

Code Girls (Young Readers Edition): The True Story of the American Women Who Secretly Broke Codes in World War II PDF

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PDF Ebook Letting It Go, by Miriam Katin

PDF Ebook Letting It Go, by Miriam Katin

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Letting It Go, by Miriam Katin

PDF Ebook Letting It Go, by Miriam Katin

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From Booklist

*Starred Review* Katin, a Holocaust survivor who told the harrowing story of her family’s survival in her 2006 graphic memoir, We Are on Our Own, carries an understandable prejudice against all things German; so when her son Ilan announced that he was moving to Berlin to live with his girlfriend there, it set off a visceral, panicked reaction that she recounts in this wise and funny work. With wry self-awareness and sardonic humor, Katin depicts her reluctant, resentful efforts to deal with her son’s decision as she makes a pair of visits to the city, one to visit Ilan and another to attend an art show featuring her comics work (as her ever-patient musician husband observes, “If Barenboim can be there, so can you”). She even learns the German word for her struggle: vergangenheitsbewältigung—coming to terms with the past. Katin eschews the use of panel borders for her gorgeously expressive color-pencil drawings, giving the narrative an irresistible flow. As well told as it was, much of the power of We Are on Our Own came from its inherently dramatic story; this more nuanced and inward-looking tale is an even greater testament to Katin’s remarkable storytelling abilities. --Gordon Flagg

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Review

“[Letting It Go is] thoughtful and unflinching but also frequently funny, and drawn with considerable grace.” ―National Post“Miriam Katin's Letting It Go is my kind of graphic memoir: loose, impressionistic, a portrait of the artist's inner life.” ―Los Angeles Times“Letting It Go is a moving, funny look inside the artist's thought processes as she reckons with her past and decides whether she's going to live out her golden years in a spirit of resentment or forgiveness.” ―AV Club

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Product details

Hardcover: 160 pages

Publisher: Drawn and Quarterly (March 19, 2013)

Language: English

ISBN-10: 1770461035

ISBN-13: 978-1770461031

Product Dimensions:

7.8 x 0.8 x 10 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#289,691 in Books (See Top 100 in Books)

Miriam Katin is a Hungarian-born Holocaust survivor who lives with her husband in New York. She is an artist and her husband is a musician. Born in 1942 in Budapest, Miriam and her mother went into hiding in the Hungarian countryside, posing as a Christian woman and her daughter, after the Germans invaded the country in 1944. She has written a previous book, "We Are On Our Own", which depicts in graphic-style the life she and her mother lived til the war was over.I haven't read many graphic novels; Katin's might be the fifth or sixth. I can't really comment on the art except to say it is drawn mostly in pencil - both gray and colored - and is very appealing to the eye. The story, though, is what really sets "Letting It Go" off from many works of Holocaust literature.Miriam Katin's book is about the journey she made - both in body and in spirit - to the city of Berlin, first in 2005 and another trip a year or so later. She had grown up as a hater of Germany and all things German. (And who would blame her?) When she was in her late 60's, her son, Ilan, told her and her husband that he had decided to settle in Berlin and was trying to adopt EU citizenship. Would she claim him as the child of a Hungarian citizen so he could claim EU status. (Even though Katin had US citizenship, she was still considered Hungarian by her place-of-birth. The exact details of this are a bit sketchy in the book.) Faced with examining her past by Ilan's request and talking it over with her mother - the woman who had saved her life during the war - she decided to go through the onerous process of the paperwork. Next up was a trip to Berlin with her husband to visit her son and his girlfriend.The balance of the book/art is about her visits to Berlin. She is very upfront with how uncomfortable both the run up to the trips and the trips themselves were to her. But she opens up both her mind and her heart and sees Berlin as it has become in the last 20 or so years. One of the places that she visits is the "Memorial to the Murdered Jews of Europe". You may have seen pictures of it; it's the field off the Unter den Linden, near the Brandenburg Gate, with a hundreds of square stelae of differing heights. What this field is supposed to "mean" is open to question, but the memorial underneath is THE thing to see. Because this underground museum, or memorial, was built by the German government and the title is a testimony to their commitment to talk about and examine their past and admit, frankly, what went on under their watch. "Murdered Jews" - the title and the museum contents say it all. (There are other museums and monuments to others killed in the Holocaust as well; one to the murdered gay and lesbian communities is across the street from the one I'm referring to.)Miriam Katin writes and draws about the modern Berlin and how, slowly, she came to adjust her thinking and "let go" of some of her previous prejudices. Maybe the book spoke to me because the city of Berlin has "spoken" to me on my five or so trips there in the past 20 years. And maybe it spoke to me because I admired Miriam and her "journey" to an uncomfortable past that she was able to face down. I've made this review more "personal" than most of the ones I write because Katin's book provoked those feelings in me. The combination of words and drawing gives her book a close-to-the heart feeling.She appears to have ended her trips to Berlin (the second was a trip to see some of her work featured in an art exhibit) with a new feeling of acceptance. It's quite a book.

Love it

This book was recommended to me by a daily newsletter I get called "Jewniverse." This was my first graphic novel, but it didn't do much for me. I felt that the story wasn't very gripping despite the content. The illustrations are very good and help the story, but the plot itself wasn't as riveting as I had hoped.

I welcome Ms. Katin's honesty in sharing her personal story. The drawings were superior. Will be following her career and looking forward to see her other works.

Her talk about the book and its subject inspired me to purchase the book. However, her book covered the same material as her talk which was infused with more humor and pathos than the book itself. Her drawings were often effective, but the book lacked power. Although I read Maus, I am a newcomer to this artform and therefore may lack the requisite enthusiasm and appreciation.

Like several books I have reviewed before this one, the artist used to work for Disney. (Being a struggling cartoonist; I HAVE considered working for Disney a few times, but I want to do my own stuff instead.)Drawn without panels in skillful colored pencils, the elderly narrator tells her story about living in New York City (not always glamorous), learning that her only son now lives in Berlin, Germany with his new girlfriend, and having ugly memories about that city, too.The narrator had escaped from her birthplace, Hungary during the darkest days of WWII (presumably as a baby?) So naturally, she gets very upset about her kid deciding to make a home in the very same area where her Jewish people had been ruthlessly killed by the Nazi.But her son, her husband, her friends, even her former lover, etc., etc. tell her to snap out of it and BE happy for the young couple's future.So the poor narrator swallows her pride and helps her son obtain a Hungarian citizenship and even flies to Berlin with her husband to visit him. In spite of her fears, Berlin of today turns out to be a beautiful, modern city with great food, sights, attractions, etc. as well as museums and monuments to honor the Jewish victims. This helps the narrator relax a little and actually enjoy herself in spite of everything. Not only that; she even hurries right back to Berlin at her own expense to see her own work exhibited at a local art museum (and it has turned out to be a big disappointment for her, however.)Nevertheless, it's like the whole world doesn't care about the narrator's personal feelings or experiences with the past, so she has to force herself to get over it. (Yes, yes, we all know Berlin is now a pretty fairyland full of happy people, but this doesn't mean war crimes that happened there are not stern reminders that can't ever be trivialized and are now permanent part of our human history.)In addition, I am truly sorry that she is married to an arrogant, uncaring husband and that she has to put up with his rude remarks for YEARS, too!Pretty frank and even raw storytelling that even includes frontal nudity of an aged woman as well as gross scenes like a graphic C-section and tidal-wave diarrhea - all done in eye-pleasing color sketches.

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Letting It Go, by Miriam Katin PDF

Letting It Go, by Miriam Katin PDF

Letting It Go, by Miriam Katin PDF

Letting It Go, by Miriam Katin PDF

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